tag:blogger.com,1999:blog-41238846499141348532024-02-19T06:18:55.641-08:00Communicating Archaeology - The Making ProcessHelen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-4123884649914134853.post-33657148056906006212017-09-03T09:09:00.002-07:002017-09-03T09:09:43.351-07:00Mapping the Co Production<div style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXc1kMkF5-aRG7Hnqd3NRU-jB0MKV0RbmAkGVaCNNrmh1JnsSw7LbAmE77DtYsNU9xERiK5nJcvj76SDcQT1hQg8ZOSMD_uInPuM1smHqh9MY93-zbHs1cgvddErMqNgmM0fCrMul4Kwuw/s1600/20170525_133436.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXc1kMkF5-aRG7Hnqd3NRU-jB0MKV0RbmAkGVaCNNrmh1JnsSw7LbAmE77DtYsNU9xERiK5nJcvj76SDcQT1hQg8ZOSMD_uInPuM1smHqh9MY93-zbHs1cgvddErMqNgmM0fCrMul4Kwuw/s320/20170525_133436.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Wendy Kotenko - Weave Technician and technical demonstrator</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">It was always my intention to illustrate exactly how much assistance is required to make any work for exhibition. It is not, nor has it ever been, unusual for a creative artwork to be in some way produced by several different people. It is a little more unusual with craft. I claim to be the conceptual director of my works as well as the primary maker, however many of these works could not be manifest without the help of a number of different people with skills and talents which I simply do not posses. It is therefore my aim in this exhibition, to highlight the help and expertise which has gone into the production of these works to be on display. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span id="goog_2058683459"></span><span id="goog_2058683460"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv-ACdrpH4Nk2kMtsklWl1h_eer-VW2A4_cc0bEuYVFQ5K1b64v89RuVCEYmaJXqVNIW4yyiL6FtKiPoo6N25I9Pg3pk2LOuIIaW84x08EnBMFeQrIELZpmzUFDMbGGE4eBglvgPONgLhF/s1600/Untitled-1.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv-ACdrpH4Nk2kMtsklWl1h_eer-VW2A4_cc0bEuYVFQ5K1b64v89RuVCEYmaJXqVNIW4yyiL6FtKiPoo6N25I9Pg3pk2LOuIIaW84x08EnBMFeQrIELZpmzUFDMbGGE4eBglvgPONgLhF/s320/Untitled-1.jpg" width="320" /></a> </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">These are just two of the signs I have produced in Illustrator. These will sit beside each piece of work as a key, and reference the people involved in the production. Some works are made using the assistance of just one person, however pieces such as the pin were made thanks to the expertise of six or seven people. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">In the exhibition there will be a wall of polaroid images of these wonderful people, alongside will be a short biography. This champions the efforts of many technical support staff as well as digital experts, without whose help and assistance I would not have been able to produce much of the work. </span></div>
Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-32758666628664822952017-09-03T08:40:00.003-07:002017-09-03T15:24:59.072-07:00Dropping the Pin<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzOlW7LchZLyG2-BkIfa4VFSk174lwTyH20bGee6ji4moSexe32X9PL4H8YtXMr2VM4D67zxf0HHakLN6W5FI7Q1_Xr0xINzd0h2BqzkPwEkgJ2EU3XcokJIttiEOnGpCLprx0J5qs0FIc/s1600/Happy+Pin+Drop+Flattened+Image.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzOlW7LchZLyG2-BkIfa4VFSk174lwTyH20bGee6ji4moSexe32X9PL4H8YtXMr2VM4D67zxf0HHakLN6W5FI7Q1_Xr0xINzd0h2BqzkPwEkgJ2EU3XcokJIttiEOnGpCLprx0J5qs0FIc/s400/Happy+Pin+Drop+Flattened+Image.tif" width="300" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">My long suffering husband helped me to photograph this momentous occasion, using two cameras set up on tripods. I was then helped by one of the textile technicians at FU to work out how to complete the image in photoshop. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The pieces of the pin were then collected up and buried around the site at Tremough. I used a GPS Garmin to locate each of the burial points and then had some assistance from a tutor from the Exeter University geography team to place the points on a map ready for exhibition. Just waiting for the map and will decide how best to display this piece. I have another pin, fired to a higher temperature ready for exhibition display. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6BurvvF1JgZ3GlzEMtQm9UQXSfmDUkthyD83PQnUhZD-h6cY8p829RqJc4pjjg_aJGIE14nbYNyd70oQU_2BMj67_fxGv1Q0SS_LYLFMM1BMtUXXR7OG71sUmTqldRZg9WbAmSKv36trv/s1600/Burying+Sherd+at+Tremough.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1565" data-original-width="1600" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6BurvvF1JgZ3GlzEMtQm9UQXSfmDUkthyD83PQnUhZD-h6cY8p829RqJc4pjjg_aJGIE14nbYNyd70oQU_2BMj67_fxGv1Q0SS_LYLFMM1BMtUXXR7OG71sUmTqldRZg9WbAmSKv36trv/s320/Burying+Sherd+at+Tremough.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Burying one of the sherds </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Bags of sherds</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpXgv6V9Zj3XsUiLohZkn3BMG66pn4CDHf6KngMBpxyTZVERDbVaYwdc5frC3_RW7SaAldz7fwDEem-CwS2m_UUwLu8W2vJYPd6ciOpS6p4nEpdlbcehMpGwbTF8q2rrxLyy9fsC3tGk07/s1600/15+Mineral+Map+10+microns+resolution.tif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="842" data-original-width="1600" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpXgv6V9Zj3XsUiLohZkn3BMG66pn4CDHf6KngMBpxyTZVERDbVaYwdc5frC3_RW7SaAldz7fwDEem-CwS2m_UUwLu8W2vJYPd6ciOpS6p4nEpdlbcehMpGwbTF8q2rrxLyy9fsC3tGk07/s320/15+Mineral+Map+10+microns+resolution.tif" width="320" /></a><span style="font-family: "arial" , "helvetica" , sans-serif;">Another of the textile pieces has been finished this week. I reprinted the gabbroic sherd fabric in different colour ways with the help of the lovely Freya Moses. We really went for a complete change, something jazzy which could be attention grabbing when the dpi was reduced for printing. the results were stunning, the first time I had seen the print so small and un pixelated. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I then cut out and produced 100 small bags using my fabulous new sewing machine. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1D8Xl20pogyY7UFRo5_uocq09GIjaB-91VEuw8dp-9mScabxUYK4e2aer-LfG-oIFT3MDz8avykFC8k1-bKFrNvBtd1uyJKz3DFeJ7qs4RNRlK1qIcKEgqXo4Fi4zM8y4M5B6B2AZfI8E/s1600/20170831_120925.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1D8Xl20pogyY7UFRo5_uocq09GIjaB-91VEuw8dp-9mScabxUYK4e2aer-LfG-oIFT3MDz8avykFC8k1-bKFrNvBtd1uyJKz3DFeJ7qs4RNRlK1qIcKEgqXo4Fi4zM8y4M5B6B2AZfI8E/s320/20170831_120925.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">100 gabbroic clay sherds were made and fired to 1100 degrees before being placed inside the bags. </span><span style="font-family: "arial" , "helvetica" , sans-serif; text-align: justify;">Each of the bags was tied with one of 4 different coloured cotton bows. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVzsskJNr_B3YEjH8Gg4qmDe2h0ZWyuiLL9OZ5YqWut3h5G02GUK199m5OWDXP6FgWcxuC6xEImdvd31y_dgKaEruKCzbGMtNtIn2poj3PZKgwpw-bb1887cWNDChbfbSH7UMYiNKakkNf/s1600/20170831_095933.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVzsskJNr_B3YEjH8Gg4qmDe2h0ZWyuiLL9OZ5YqWut3h5G02GUK199m5OWDXP6FgWcxuC6xEImdvd31y_dgKaEruKCzbGMtNtIn2poj3PZKgwpw-bb1887cWNDChbfbSH7UMYiNKakkNf/s200/20170831_095933.jpg" width="112" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6V-FKqOEeHPTDyHJeSLLQYBT3Jns8B5mqLfwcSK2K0rOjAo02gFqPVGY8jTFzX4jN_-sSECFv0fQq-7nnr49p4NTvAPJlMPpZY8x-GcqFX0w-LpO38hfgbMjDCfO7pz3t-7NQ4EqjxZXY/s1600/20170831_121814.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6V-FKqOEeHPTDyHJeSLLQYBT3Jns8B5mqLfwcSK2K0rOjAo02gFqPVGY8jTFzX4jN_-sSECFv0fQq-7nnr49p4NTvAPJlMPpZY8x-GcqFX0w-LpO38hfgbMjDCfO7pz3t-7NQ4EqjxZXY/s200/20170831_121814.jpg" width="112" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTmV-eQ7Jlok17rZsnGboKJUC07zOdmBemhpmkdmMbX5ryUjxGdcX8Huow67ayror6xQc5id4eZQJ6h4b5VuZhvVfyAKvJlpEL2ksWpUQUzdh-pIJm__cGxgUkRIqHoP0G21j9TsYc31RJ/s1600/20170831_095939.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTmV-eQ7Jlok17rZsnGboKJUC07zOdmBemhpmkdmMbX5ryUjxGdcX8Huow67ayror6xQc5id4eZQJ6h4b5VuZhvVfyAKvJlpEL2ksWpUQUzdh-pIJm__cGxgUkRIqHoP0G21j9TsYc31RJ/s200/20170831_095939.jpg" width="112" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9rw-UZZWBJcUdisjVN61QxDXT9b4SeiSeI7yihUnOld04FXHcHgJdvqu71XaeWmDrLIM-tQneKHbin__vdH_V3FwYSj8YmLwZMiC4-rkJGSkUgiADH3bjUUImNmH9yLsenyrE_u9dAyCO/s1600/20170831_122557.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9rw-UZZWBJcUdisjVN61QxDXT9b4SeiSeI7yihUnOld04FXHcHgJdvqu71XaeWmDrLIM-tQneKHbin__vdH_V3FwYSj8YmLwZMiC4-rkJGSkUgiADH3bjUUImNmH9yLsenyrE_u9dAyCO/s400/20170831_122557.jpg" width="400" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">These 100 bags will be displayed on the wall 10 x 10. Each of the bags will be part of an installation but visitors will be able to enter into a prize draw to be able to win one and then take the sherd away and bury it. The hope is that I can create a site where the sherds can be mapped as the owners let me know the approximate co-ordinates of their Cornish clay fragment.</span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-76003866314268619472017-09-03T08:01:00.002-07:002017-09-03T15:33:21.136-07:00Standardware Images<div class="separator" style="clear: both; text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">Professional Photography & Promotional Material </span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoE1OSLe6-c18vEBiTUswjEVeIvPZHxhbScJsdhPnBTgTkQsbhHAl1z6sLfUBuzZeaFiQN1_xHUgieQRYfhXwbtnaUoFPClvKnBw1SJZAQVucurY-JZpmABVOXldsmH7AcfBUl1IA-h-Mc/s1600/4000+years+in+the+making+image+8+overlay+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoE1OSLe6-c18vEBiTUswjEVeIvPZHxhbScJsdhPnBTgTkQsbhHAl1z6sLfUBuzZeaFiQN1_xHUgieQRYfhXwbtnaUoFPClvKnBw1SJZAQVucurY-JZpmABVOXldsmH7AcfBUl1IA-h-Mc/s320/4000+years+in+the+making+image+8+overlay+%25282%2529.jpg" width="226" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">This is the really wonderful poster which has been designed for the October exhibition. The photographic image was produced by Matt Tyas and the whole poster assembled with some help from one of the student interns at RCM. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Three sizes of Gabbroic clay standardware fired to 1020 degrees</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVO33oKaW17laQ5gcu5EA0jqz4GV5J4ksStpn8mzsWzRVSpAFR_2Js7HBcYroq4iYi0JT5m9EhZNqKgEJCRalGPrMWZLV-XPMJxXjx4wAlflIZO6JDsfqOPswyuLmR6VU_kyqB4ZDKTN3/s1600/Helen-Marton_Copyright-2017-Matthew-Tyas_8+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVO33oKaW17laQ5gcu5EA0jqz4GV5J4ksStpn8mzsWzRVSpAFR_2Js7HBcYroq4iYi0JT5m9EhZNqKgEJCRalGPrMWZLV-XPMJxXjx4wAlflIZO6JDsfqOPswyuLmR6VU_kyqB4ZDKTN3/s400/Helen-Marton_Copyright-2017-Matthew-Tyas_8+copy.jpg" width="400" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> The higher fired Gabbroic clay standardware: 1260 degrees</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhibhQi3pMSI_pj06esjiTOaJguQMvThXJIAFldzR5pyeUGcopxv9HxDIUfJKPJWBeClb18B9q-9KugZFzs6C6_uxK859psal1dbX-weJMgSGNp_ibPud_58gMoeA2tFQFmTxaTSoAz5tyW/s1600/Helen-Marton_Copyright-2017-Matthew-Tyas_6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhibhQi3pMSI_pj06esjiTOaJguQMvThXJIAFldzR5pyeUGcopxv9HxDIUfJKPJWBeClb18B9q-9KugZFzs6C6_uxK859psal1dbX-weJMgSGNp_ibPud_58gMoeA2tFQFmTxaTSoAz5tyW/s320/Helen-Marton_Copyright-2017-Matthew-Tyas_6.jpg" width="320" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">The higher fired pieces were particularly problematic. I simply couldn't produce one of the larger forms without the material collapsing and warping. I lost the rounded base completely and so decided to leave this piece out altogether. The texture and colour is absolutely divine. </span><br />
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<br />Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-75464220809136886102017-09-03T07:48:00.000-07:002017-09-03T15:26:26.906-07:00Preparing for Exhibition <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Making Plates & printing with Freya</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">There has been a lot of work made and preparation for the exhibition which starts in October. I have also been working towards my confirmation document, preparing for another conference in Plymouth during September and whilst being on placement at the Royal Cornwall Museum, completing a strategy for data collection. It is really only through conversation with friends that I have managed to realise the direction my PhD needs to take regarding the data and who it is really for. The University was closed to students for much of the summer, obviously support staff need to take a break - it hasn't really been ideal and its been tricky to prepare work on the dining room table but I am going to make it easily with regards to the actual work. I do need to produce some exhibition extras in the last couple of weeks before the exhibition; I'm just hoping that there is time and that the message has got through. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Archaeology is awakening to the broadening of approach in interpreting archaeology. This research engages a conceptually led creative practice, merging traditional craft techniques, digital practices and archaeological processes in the production of work for exhibition. By working together to produce different bodies of knowledge, which don’t always have any opportunity to speak to each other, I hope to map whether the conversation between craft and archaeology enhances public understanding. I hope to explore the engagement this can have for audience in activating visitor agency and allowing the public to take part in interpreting the human past. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The development of a cohesive plan for data collection is well underway. It differs from my original plan of getting results entirely from the public. I now feel that it is far better to gather much of the data from heritage professionals and archaeologists as well as select members of the public. I owe a great deal of thanks to my good friend Gia Daprano for her instant and incredible critical judgement.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have had several meetings with the curatorial & marketing teams at the RCM, we have been deciding upon the press and marketing material and I have produced almost all of the interpretation. Sophie & Michael have been great to work with on this project, fully supportive and happy to let me take it in the direction I need for the PhD. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Finally got the decals produced from my drawings from the designs produced in illustrator. These smashing images were taken in a photo shoot with photographer Matt Tyas, he also took the shots of the standardware, imagery is now being used for the poster and all promo material such as invites and banners for the website. I have also been able to interest Ceramic Review in putting an article online and Crafts Magazine will be putting a small piece in its next issue. Cornwall Today interviewed me about the work and have a range of images; looking forward to seeing what they produce in their October issue in the heritage section. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">After posting these images on Facebook, not only on my own wall but also the prehistoric society's wall, I got the largest number of likes and comments about the work to date. Ironic, given that these works are the least conceptually meaningful works due to be exhibited. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Images © Matthew Tyas 2017</span></div>
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<br />Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-47090889571151162242017-06-13T13:49:00.000-07:002017-09-03T15:19:45.534-07:00Weaving & Saying Goodbye<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The last few weeks have been full of making, planning and organising. The next few weeks see me on placement at the Royal Cornwall Museum, where I am planning to develop my ideas for exhibition, data collection and analysis. Having produced some really stunning woven fabric I can now focus primarily upon this transition period and my placement at Truro Museum.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The Contemporary Crafts Course is finally coming to an end, much of the equipment is being packed up and shipped out and fashion is taking over the space where a hive of craft activity once took place. It's a sad time for those of us who have been there such a long time. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have been trying to get the bulk of the PhD exhibition work completed before we lose the kilns altogether. I have managed to complete 3 large pins and three sets of standard ware, as well as various other pieces for display and t</span><span style="font-family: "arial" , "helvetica" , sans-serif;">he decals for the plates are ready to be applied and then fired; this can be done in my own kiln.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The 3 month placement at the Royal Cornwall Museum, where I will be looking at innovative ways of collecting data. My practice led investigation relies heavily upon the collection and analysis of data as response to exhibition of digital works, which are to be shown alongside reconstructive works and the Tremough finds in exhibition in October 2017. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Throughout this placement, I hope to work alongside the collections team to explore data collection and analysis strategies for this exhibition in order to engage with and enhance interpretation. The placement period will allow the opportunity to identify and choose </span>appropriate formal and informal data collection methods. It would also act to further embed and enrich the research within the museum setting, subsequently allowing the results of my data analysis to be utilised directly by the Cornish Museums Collective. </span></div>
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<b><span style="text-align: justify;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Contrasts of the Bronze Age – </span></span><span style="font-family: "arial" , "helvetica" , sans-serif;">The 14th Nordic Bronze Age Symposium</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I applied to this conference back before Christmas 2016 with the following abstract, was accepted and presented a paper entitled:</span></div>
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<i>“Most of my advances were by mistake. You uncover what is when you get rid of what isn’t.”</i></div>
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In making or crafting objects we demonstrate interactions with materials and processes and engage with a flow of movement that relies upon tacit knowledge. Relationships grow and develop between maker and material over time, until there is a silent, choreographed repetition of action.</div>
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It is interesting to note that the so-called’ mistake,’ or failure can be celebrated in creative practice. For the craftsperson a ‘happy accident’ can happen contrary to expectations and provide the maker with a new and pleasantly unexpected result. </div>
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Success relies upon a remarkable process, a cycle of reflection that invariably acknowledges failure. This cycle of making and reflection, as a natural breakdown of the creative process, aids the teaching of creative practices. Teaching craft skills requires demonstration and instruction, however students rapidly desire to feel the material. Most tacit knowledge is absorbed through trial and error and by developing a continued personal relationship with the material. In life as in making, an embodied memory embedded as a result of struggle and failure adheres much more quickly and permanently than any form of instruction. This knowledge can be discussed in the abstract, but often remains intangible. </div>
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When appreciating the purpose of failure it becomes possible to realise the importance of taking several steps in the shoes of the early makers. Only through repeated attempts through reconstruction, are we able to fully appreciate the myriad complexities of craft production during the Bronze Age. </div>
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I explore the presupposition that in the process of making, and in making mistakes, we encounter a degree of shared experience and understanding. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm4fdnLRhw61JzKJYvVQHXN-sU-MqkzRBSZscGUcmmeonh6eou-Il0eOk2-t4hUSyPD8MNjPljAzlv-SBKNjnzSWxW9S0He13UiS-xesnPJ2yVPesiOMU01w4-gKt1bAlrXRlhtJwQg-xV/s1600/fullsizeoutput_29b.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="445" data-original-width="761" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm4fdnLRhw61JzKJYvVQHXN-sU-MqkzRBSZscGUcmmeonh6eou-Il0eOk2-t4hUSyPD8MNjPljAzlv-SBKNjnzSWxW9S0He13UiS-xesnPJ2yVPesiOMU01w4-gKt1bAlrXRlhtJwQg-xV/s320/fullsizeoutput_29b.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The whole group of speakers for the session 'Nobody is Perfect'</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjhYb-tj1p1quo-_37fOfS0tKk1vEXQrYqJtKRQYBndqATX9NO3Aglb4zLOKyrl5OpDIhLvx20xEQisoigsHhCm4gUtMVwDKzPdgDdg9mrVm_v93W5ZI5nAlhRGk9FSei3U_Wz83htZCL3/s1600/19029540_10154713383161395_8403162006014207957_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjhYb-tj1p1quo-_37fOfS0tKk1vEXQrYqJtKRQYBndqATX9NO3Aglb4zLOKyrl5OpDIhLvx20xEQisoigsHhCm4gUtMVwDKzPdgDdg9mrVm_v93W5ZI5nAlhRGk9FSei3U_Wz83htZCL3/s320/19029540_10154713383161395_8403162006014207957_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katrina Botwid & I talking about Craft & Archaeology</td></tr>
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This was a fantastic opportunity and a chance to really meet with those focusing on similar subject areas to myself but approaching it from an archaeological perspective. The lovely Katrina Botwid has just completed her PhD and as an archaeologist and ceramicist was looking at approaches to making. </div>
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<!--EndFragment-->Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-2269568159171051742017-05-24T02:47:00.002-07:002017-09-03T09:32:53.810-07:00The Weave<div class="" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">The Jacquard Weave of Gabbroic Clay Sherds</span></div>
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<span style="font-family: arial, helvetica, sans-serif;">I began with the % of the gabbroic clay thin sections from QEMSCAN and then converted these to binary code. The binary was then translated to 2 different colours within a grid. </span><span style="font-family: Arial, Helvetica, sans-serif;">I started with these simple designs done in a word document, I had set the 0's and 1's into boxes according to the data of the sherd scan. This was then reproduced into the software for the Jacquard. We simply scanned the images produced this image directly in repeat. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsVz3NXYp7hfERlxXvdrQ7-KQdiF9G0SJ5rRpA2WUjPK-H_-7fhEPmbcy_6gRIN_cdTd7yCNjP-zEc8jERF5gscYVy6VUonIY-SgIRAX5EVr7_HT79ME9yGYxFOmDUdjnttAfLNRH0nOoO/s1600/Screen+Shot+2017-05-22+at+22.23.50.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsVz3NXYp7hfERlxXvdrQ7-KQdiF9G0SJ5rRpA2WUjPK-H_-7fhEPmbcy_6gRIN_cdTd7yCNjP-zEc8jERF5gscYVy6VUonIY-SgIRAX5EVr7_HT79ME9yGYxFOmDUdjnttAfLNRH0nOoO/s400/Screen+Shot+2017-05-22+at+22.23.50.png" width="400" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The pattern can then be mirrored and repeated. This needs to be done 4 times as there are 4 thin sections from different clay sherds. The resulting pattern from just one of those sections may look something like this. I have had a look at the different threads available and we can try several different options. I understand that there are a variety of weave patterns that can be used so will explore these tomorrow. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiVu9bHNOGluA1ntlfP-ngfsxAusDt_B5w01Lqi2X9N5nJRB0hYzXIuJi-NGCPiItAYrJURZ5k9yVvaVnbmj2bH8eVP3MYSOvdXroIKP0a9Un_k-vpGAD2Ud92BrnI2Vmi67dMiMVp1Zp4/s1600/Screen+Shot+2017-05-24+at+10.35.27.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvLu8I8h7B38-D1dOuSwClzZ7DjDNWPSQvxUPsZmjJsGsAK2nlRKeuOjp7Zp-6imWwyUR6g3XlE9zqYlIDhLmO7uFS59P2aOD-I_Xcg_TKTI656g1cTPEzGqYR7yL3gbLmnTte-LLFaL_/s1600/20170525_133503.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvLu8I8h7B38-D1dOuSwClzZ7DjDNWPSQvxUPsZmjJsGsAK2nlRKeuOjp7Zp-6imWwyUR6g3XlE9zqYlIDhLmO7uFS59P2aOD-I_Xcg_TKTI656g1cTPEzGqYR7yL3gbLmnTte-LLFaL_/s320/20170525_133503.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiVu9bHNOGluA1ntlfP-ngfsxAusDt_B5w01Lqi2X9N5nJRB0hYzXIuJi-NGCPiItAYrJURZ5k9yVvaVnbmj2bH8eVP3MYSOvdXroIKP0a9Un_k-vpGAD2Ud92BrnI2Vmi67dMiMVp1Zp4/s1600/Screen+Shot+2017-05-24+at+10.35.27.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2K-hwJcPCPFbfsQeO3sUi6HqipWsPWxFrBx1ksGXygNPXkx419eBUo9NVxT0asb8t_R1QFmwVjSrdz6EWNpHMUg0cUVTzyRo9eAFC1aBxqneicz55IUiV8hJ-rOZAiWTFepu1Qkx5paWT/s1600/20170525_142847.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2K-hwJcPCPFbfsQeO3sUi6HqipWsPWxFrBx1ksGXygNPXkx419eBUo9NVxT0asb8t_R1QFmwVjSrdz6EWNpHMUg0cUVTzyRo9eAFC1aBxqneicz55IUiV8hJ-rOZAiWTFepu1Qkx5paWT/s320/20170525_142847.jpg" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">It is almost impossible to imagine the speed at which this machine weaves a length of fabric. I was astonished at the speed and variety achievable in such a short space of time. Certainly there is a rhythm and a peace connected to the use of the traditional looms, somehow a deeper connection to the fabric, crafting and constructing pattern and weaving oneself into the final result. However, the machine itself is a thing of beauty. Only several months earlier, whilst attending the Crafts Council MakerNow conference in Manchester, I was fortunate enough to see the original Jacquard machine. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdyn_rO5pMyOatO4A0BOxeDelYceNpVTg_Y2DhYVmr3pFKzL5PVD89gm5XMA3WPALoMYD1RLE4JUL6zogY-51EG7iz9xqEKxkF2pSbQd0dV57BQ_2c61ca8ZwTVn3ZuuB5W10kxhAwL9ay/s1600/20161111_125317.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdyn_rO5pMyOatO4A0BOxeDelYceNpVTg_Y2DhYVmr3pFKzL5PVD89gm5XMA3WPALoMYD1RLE4JUL6zogY-51EG7iz9xqEKxkF2pSbQd0dV57BQ_2c61ca8ZwTVn3ZuuB5W10kxhAwL9ay/s320/20161111_125317.jpg" width="180" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiJtvImEYK7sSm1QgXKVjyhyphenhyphenTzlxsTvJWFvQarTopjjMDvxTiIvAwEmrneUtI4tJuxlEEMvftXpjVGAGGOYts1ICSVsiTTZ4HC4_rMgKgplSNroBzGgtbVmsCV1GirvxbN27lYY_J4zII9/s1600/20161111_125426.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiJtvImEYK7sSm1QgXKVjyhyphenhyphenTzlxsTvJWFvQarTopjjMDvxTiIvAwEmrneUtI4tJuxlEEMvftXpjVGAGGOYts1ICSVsiTTZ4HC4_rMgKgplSNroBzGgtbVmsCV1GirvxbN27lYY_J4zII9/s320/20161111_125426.jpg" width="180" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">These are the pictures of the Jacquard loom at FU. Very little has changed in the design over the last 150 years. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98Xgo9HKDPiKppB8E_5dPXyl_jG2bo3Oon26FAXq-16VKl8wtDrCKPkeDHcxhrsqzfnMFZcF7HOYph_1sf-H-4QXyCQTIxH6f04F47ds3BYrxOPOBfFGnmGnFDwvCjA3PXGDYDSCGQ0eO/s1600/20170525_144453.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98Xgo9HKDPiKppB8E_5dPXyl_jG2bo3Oon26FAXq-16VKl8wtDrCKPkeDHcxhrsqzfnMFZcF7HOYph_1sf-H-4QXyCQTIxH6f04F47ds3BYrxOPOBfFGnmGnFDwvCjA3PXGDYDSCGQ0eO/s320/20170525_144453.jpg" width="179" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvBqW0QC32Lv0X0baRFzMgPPAUbmhbc5ibCzPZ3TV0uhSGAmO40uNYhjchMGrxcSmUcH64CbkMo1KjT9846G9B0O-o2HUaJRon0JQWr52SBB4d24a7joPtXPc6vruf4td4bjqAwaWdsDX0/s1600/20170525_144542.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvBqW0QC32Lv0X0baRFzMgPPAUbmhbc5ibCzPZ3TV0uhSGAmO40uNYhjchMGrxcSmUcH64CbkMo1KjT9846G9B0O-o2HUaJRon0JQWr52SBB4d24a7joPtXPc6vruf4td4bjqAwaWdsDX0/s320/20170525_144542.jpg" width="320" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F6U1ksUe9NIvwv-YRaYv-BZo2DrMGjxiEGd2-pHsTj2SUmqFnJ9VFJ-54BcH_XCfgEmnHzawxCiGugnTjLpdHr3LAJHZvXbBQ7RKKXRJQZxeWaSh0vSguhnwd0RbI5Xu0N-tX9SiWTJn/s1600/18620717_10154673448321395_5241111169191659864_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1440" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F6U1ksUe9NIvwv-YRaYv-BZo2DrMGjxiEGd2-pHsTj2SUmqFnJ9VFJ-54BcH_XCfgEmnHzawxCiGugnTjLpdHr3LAJHZvXbBQ7RKKXRJQZxeWaSh0vSguhnwd0RbI5Xu0N-tX9SiWTJn/s400/18620717_10154673448321395_5241111169191659864_o.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">Brown & Golden Yellow Colourway for making large bag</span><br />
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<span style="font-size: small;"><span style="font-family: arial, helvetica, sans-serif;">This was the first colourway I tried, I was looking for something more metallic the second time around. This yellow and brown fabric will be used to make the two larger bags to be displayed on the wall in exhibition. These refer to transit of goods, early trade and movement of people and materials.</span></span></div>
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<span style="font-family: arial, helvetica, sans-serif;">This fabulous colourway of silver and black will be used as a 2m drop of fabric, displayed traditionally and using a top and bottom strip as is frequently seen to display Indonesian textile. </span><br />
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-28585549560256176812017-05-24T02:23:00.001-07:002017-05-24T02:23:15.380-07:00Busy Week<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Busy few weeks ahead managing the resources before they are taken away as the result of the Contemporary Crafts course closure. Spent a good deal of time trying to be ready for this point in time, and yet nothing can quite prepare me for this loss. The petition has gone in and was presented, sadly no management were there to receive it. The final year show went well with lots of sales - next stop New Designers.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-align: justify;">As well as getting prepared for a marketing meeting at the RCM this week, I am preparing illustrator files ready for decal printing and vinyl cutting in order to produce plates.The last time I managed Illustrator was over a year ago when the best I could do was these traumatised heads - how fitting!</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have been making and firing more standard ware pieces as some of the higher fired ones were failures and needed to be made again. Interestingly I am speaking at conference in Norway in two weeks about the power of failure as a maker - I have plenty to contribute on this subject! </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://www.khm.uio.no/english/research/news-and-events/events/conferences/2017/nordic-bronze-age-symposium/programme/bronze-age-symposium-programme.pdf">http://www.khm.uio.no/…/…/bronze-age-symposium-programme.pdf</a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I asked Josh Kerley for assistance with Illustrator, I have the course under my belt but haven't used it for ages. Josh was a huge help and I now think I can manage the remaining images and files on my own. I have 10 designs but not entirely sure whether they will all manifest. I need to have several templates cut on the vinyl cutter so that I can apply to the surface and sandblast through the existing glazed surface. The remaining designs will transfer to decal and be printed by digital ceramics.com. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The published images have been approved for use by the Cornwall Archaeological Unit. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have chosen to use the majority of images showing sections from the prehistoric period. After scanning into Illustrator, the numbers and comments need to be removed. Many of the images are separated out and used in isolation or abstracted for the final designs. In order to make the images work I first needed to enlarge and photocopy as well as trace and embellish using black marker. This whole process has proved to be particularly time consuming and fiddly but well worth it. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have chosen a basic palette; grey, red, black and white. Some texture should appear thanks to the sandblasted areas. I will have approx. 3 decal sheets for printing, including some adjusted imagery of the thin section from the Gabbroic clay slide. The plates can fire in my own kiln as they are only 27cm diameter. </span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-69161553494522000152017-05-16T16:25:00.005-07:002017-05-16T16:25:42.535-07:00King Edward Mine Reconstructions<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I was commissioned to make a small number of Gabbroic clay reconstructions for exhibition at King Edward Mine. These are some of my favourite late neolithic/early Bronze Age pieces, one of which is a part reconstruction, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">on display at the Royal Cornwall Museum.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I was delighted with the display and the final results. They had also requested a short film to accompany the display, which showed the whole making process from digging the clay to firing the pieces. </span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-84353385757024184342017-05-16T16:13:00.002-07:002017-05-16T16:13:44.262-07:00Reclaim & Standard Ware<br />
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<span style="font-family: arial, helvetica, sans-serif;">Reclaiming Gabbroic clay is indeed messy and time consuming. The first part of the process involves driving over to the Lizard in order to dig a couple of buckets of the clay. The clay is plastic and workable but needs reclaiming to get a good mix and to ensure that many of the larger inclusions can be removed through sieving. 'Slaking down,' is the process by which the clay is made into a large quantity of smooth slip before being dried out on plaster batts and wedged into workable clay.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I now have enough of the clay to continue with the standard ware and complete three sets. I fired one set to 1200 degrees, this will be the highest temperature achieved for the Gabbroic/ball-clay/paper mix. The pots were fired the right way up and unfortunately due to the heat work in the kiln and the high temperature, one of the pots ended up flat bottomed. I had to remake and will fire it on its rim, hoping that this time it won't be effected by the weight of the whole piece bearing down during the firing. The second set is fired to 1060 degrees and the final one to 1120 degrees.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Bisque fired Standardware to 980 degrees</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Making in progress</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Largest size unfired and still wet</span></td></tr>
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<br />Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-45069606404726093692017-04-20T03:07:00.005-07:002017-09-03T15:30:02.151-07:00Prehistoric Domestic Landscape<div style="text-align: justify;">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">My Practice - The Domestic - Activity at Tremough</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXlFopS9-IC2YPCy9KmD9dJFlqQElfVa7_fIPW08-imEk2mNod7dPCL-AH5abD6bLp8_skeFT_DELREL1BayOIgwDPoPS9-F__3q0SeaakHoKWZOhbcuHM3FWut4c4bbWZGSuDiAD6PTPE/s1600/fullsizeoutput_22f.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="598" data-original-width="1600" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXlFopS9-IC2YPCy9KmD9dJFlqQElfVa7_fIPW08-imEk2mNod7dPCL-AH5abD6bLp8_skeFT_DELREL1BayOIgwDPoPS9-F__3q0SeaakHoKWZOhbcuHM3FWut4c4bbWZGSuDiAD6PTPE/s400/fullsizeoutput_22f.jpeg" width="400" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">My works frequently map attitudes towards protection, consumption, reproduction and systems of belief. I clearly borrow and abstract meaning and significance from ancient domestic and ritual objects in order to create contemporary cultural indicators, recently highlighting shared domestic activities, connecting past and present. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I am preoccupied with our basic drives and needs, my practice therefore, has </span><span style="font-family: "arial" , "helvetica" , sans-serif;">a heavy emphasis upon </span><span style="font-family: "arial" , "helvetica" , sans-serif;">he domestic. I am interested in the everyday, those activities that may have changed so little and yet take up so much of our lives. Sourcing, preparing and cooking food is just one of those preoccupations and something that we now take for granted. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">There is evidence of cooking and food preparation going on at Tremough during the prehistoric period. Burnt stones, fire pits, and many pieces of pottery were identified as well as a number of grain remains. The presence of burnt stones often indicates cooking, heated stones being used to heat water or for roasting meat in pits. Many pits contained charcoal fragments but also charred weeds and small chaff items. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The remains were in poor condition, due to the acidic clay soils at Tremough. In the early Neolithic pits sherds of early neolithic pottery, flint and hazelnut shell fragments were found. The charcoal that was found had clearly been produced from hazel, oak and hawthorn.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Pits dating to the early Bronze Age contained pottery, hulled wheat, several preserved cereal grains(spelt, barley, oats) and bulbuls of onion couch. One single Celtic bean was identified, though rare to find, charred beans have been found in a middle Bronze Age roundhouse elsewhere in Cornwall. The beans may have been used as a useful source of protein and carbohydrate. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">There were also a number of wild plants, grasses and weeds identified from the digs at Tremough. Black bindweed (also known as convolvulus), cleavers, ribwort plantain, selfheal, heath grass & onion couch tubers. </span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-48203814454217160262017-04-04T08:14:00.001-07:002017-04-20T12:28:42.885-07:00Prehistoric Standard-Ware <div style="text-align: justify;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The Making Process</span></h2>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI_qh5_VhsJ6HEzeoScvYsedBZ9m0JUZnBRcCapJGqB1pdRxbPspNyuYUsg_qw_QZkgBT6AB9tiQsD8AlrXJRL09k2q5j7VJonnrxxstAwxbzRJdmsIU8ErVO-YHdtHqdjQ-JCo5dUp3q4/s1600/fullsizeoutput_22c.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI_qh5_VhsJ6HEzeoScvYsedBZ9m0JUZnBRcCapJGqB1pdRxbPspNyuYUsg_qw_QZkgBT6AB9tiQsD8AlrXJRL09k2q5j7VJonnrxxstAwxbzRJdmsIU8ErVO-YHdtHqdjQ-JCo5dUp3q4/s400/fullsizeoutput_22c.jpeg" width="400" /></a></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Initial sketchbook work for standard ware</span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Several months ago I began to work on designs for a small series of contemporary functional Gabbroic clay vessels. I want to in some way emulate some of the early Bronze Age pieces found in Cornwall, with a focus on the round bottomed bag shaped pots excavated from Carn Brea. I want to maintain a continuity of use for this remarkable material and show the use of this material spanning time.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="text-align: justify;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEireJwxm9qROzhpZstKQGzTEErEO-uTUB2l6QTGVLfQRW1ynwXONLTUr3ZYnkdsxJacu0vnhvlgOGMP0FoW8XSaFgvgJCwjw4GofCzXzi1fIahx8taYtO-1KBKgjowzOSjE7gwl4Ux_Qn_L/s1600/fullsizeoutput_22d.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEireJwxm9qROzhpZstKQGzTEErEO-uTUB2l6QTGVLfQRW1ynwXONLTUr3ZYnkdsxJacu0vnhvlgOGMP0FoW8XSaFgvgJCwjw4GofCzXzi1fIahx8taYtO-1KBKgjowzOSjE7gwl4Ux_Qn_L/s400/fullsizeoutput_22d.jpeg" width="292" /></a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Having worked on a series of direct reproductions, I decided to produce a contemporary range using CAD and CNC milling to produce the models for standard ware forms. I then used traditional plaster mould making techniques to ram press mould these objects. Thinking about communicating archaeology through digital craft practice, these straightforward emulations invite the viewer to experience the familiar.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh8HcwKb9ugP8tfmDsMhjzFc8aDKcZxdihyphenhyphenaapr6_-WKZw9JD4hLI98FSaXUP4ue-27LsPNhGKiM9NyflYk13VXjdd3kUJv8tkd1mnsB4wEhCj3V-fNR3_8acdnnxk16xlVAexrhBd8vCh/s1600/17342473_10154467771736395_990569318_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh8HcwKb9ugP8tfmDsMhjzFc8aDKcZxdihyphenhyphenaapr6_-WKZw9JD4hLI98FSaXUP4ue-27LsPNhGKiM9NyflYk13VXjdd3kUJv8tkd1mnsB4wEhCj3V-fNR3_8acdnnxk16xlVAexrhBd8vCh/s400/17342473_10154467771736395_990569318_o.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(John Peters) Computer Aided Designs from my paper cut outs</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwrPhE0fn4KR4QPvwZ6Dl71kUwryqpVIGFS1Jj7tUhgWzjuipezQhxUByfMVfvAhbKFtU9FR_MW30RWvxyc5eTCvgUHxz4DTkm5RpIJBF86ge29OAIb8EjuH-ZzZXmKY9wX2O5uydMneWx/s1600/fullsizeoutput_230.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwrPhE0fn4KR4QPvwZ6Dl71kUwryqpVIGFS1Jj7tUhgWzjuipezQhxUByfMVfvAhbKFtU9FR_MW30RWvxyc5eTCvgUHxz4DTkm5RpIJBF86ge29OAIb8EjuH-ZzZXmKY9wX2O5uydMneWx/s400/fullsizeoutput_230.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(John Peters) Final imagining of Gabbroic standard ware pieces</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The next stage is to mill out the solid forms from blue foam, this was done with the help of Mark Squire, technician to sustainable product design at Falmouth University. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiPKzro5CMgqXFTHnfuH-0pLyYEyJPceozUVi6j245WpD-V9XITi7TgyZlVIBKskAjgErQaQuPWcmd6yEhQ2MMtBzPd2R2gyNhqzi3_TjKD6G4ol2mhEXR90vnwuxssn8P_17QoJnUz34q/s1600/fullsizeoutput_229.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiPKzro5CMgqXFTHnfuH-0pLyYEyJPceozUVi6j245WpD-V9XITi7TgyZlVIBKskAjgErQaQuPWcmd6yEhQ2MMtBzPd2R2gyNhqzi3_TjKD6G4ol2mhEXR90vnwuxssn8P_17QoJnUz34q/s320/fullsizeoutput_229.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Milled out blue foam formers with handle</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The rounded bases have been joined using water contact expanding glue (Gorilla glue). The foam solids are then sanded carefully to achieve a good finish. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Initially I will use the same clay mixture to produce these pieces as was used for the giant pin. The Gabbroic mixture contains 20% paper pulp as well as 20% hyplas ball clay, and some heavier brick grog. This aids the plasticity and workability of the original clay body, whilst the grog helps with even drying and warping.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMlJ25J6mxAVgvBdeHzjKBC1rPDLL0TW-zYDCK1wOdrOTVmYRAVNrx_cs5ZTqseqYKtV1L7-PKhcDy0TmIJEtW0elMd58FjdizIGdUVYh4KOu1Xv-_VCYzWjq0E0jkkXdNd7SDDX5gzyR/s1600/fullsizeoutput_22a.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMlJ25J6mxAVgvBdeHzjKBC1rPDLL0TW-zYDCK1wOdrOTVmYRAVNrx_cs5ZTqseqYKtV1L7-PKhcDy0TmIJEtW0elMd58FjdizIGdUVYh4KOu1Xv-_VCYzWjq0E0jkkXdNd7SDDX5gzyR/s320/fullsizeoutput_22a.jpeg" width="320" /></a> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3l3BXnJpqL_Jg2GZZilBqO0naB5V35WuEaHJoYntJx7tbEUPFM7OEpbcH9YcUnok6LA_ciWJRAL9cYNHzpb6QHnc_kDmEnajsBHSJTX3yw0d9M5CMzCGTV17SQqTnQSgEFR51KeZiC4gF/s1600/fullsizeoutput_228.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3l3BXnJpqL_Jg2GZZilBqO0naB5V35WuEaHJoYntJx7tbEUPFM7OEpbcH9YcUnok6LA_ciWJRAL9cYNHzpb6QHnc_kDmEnajsBHSJTX3yw0d9M5CMzCGTV17SQqTnQSgEFR51KeZiC4gF/s320/fullsizeoutput_228.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Freshly milled blue styrofoam pieces</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I halved the sanded foam pieces, stuck them down onto a glass base and covered them in a thin layer of vaseline ready for the production of plaster casts. It was at this point I realised that I could have just had half of each piece milled in the foam, it would have been cheaper and quicker. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I spent half a day making moulds, as well as more time preparing the clay. In order to present a range of these sets of standard ware, I am experimenting with different firing temperatures as well as different mixtures. </span><br />
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<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Plaster moulds </span></td></tr>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDwEayOacafYxlqkK_7Uiv9t5G16PFctR-GCgxxYGmRgJfkll7usN1BwJy21W4GEGrESXfMkNMhCHESEGr6Z8-HPFQ7gJiI8Sxrz8FJJnLhGNj_1FwksClNaaoWJVXJHiYHrUmNUvtdZef/s1600/18009187_10154571727511395_1355254122_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDwEayOacafYxlqkK_7Uiv9t5G16PFctR-GCgxxYGmRgJfkll7usN1BwJy21W4GEGrESXfMkNMhCHESEGr6Z8-HPFQ7gJiI8Sxrz8FJJnLhGNj_1FwksClNaaoWJVXJHiYHrUmNUvtdZef/s400/18009187_10154571727511395_1355254122_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Gabbroic clay drying out before reclaiming</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I want to continue with the paper pulp, grog and ball clay but also add some small feldspar chips for one of the sets. At 1260° the feldspar will melt and burst through the surface, creating a real contrast with the deep red/brown of the gabbroic clay. </span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">The making process is slow and there is a need for accuracy in order to achieve equal wall thickness. The work must be dried slowly and evenly to avoid cracking and warping of the form.</span></span></div>
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<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Smallest size of Gabbroic clay Standard ware</span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif; text-align: start;">These images show the smoothed surface, the grog and the round bottomed form.</span></div>
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<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Finished pieces drying</span></td></tr>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-39148170292333967432017-03-28T15:37:00.000-07:002017-03-28T15:37:01.191-07:00Scanning Gabbroic Clay Sherds: Printing and Sewing<div class="separator" style="clear: both; text-align: justify;">
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<span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif;">In early 2015, with the help of Dr. Imogen Wood from Exeter University and staff from The Royal Cornwall Museum, I was able to source pieces of gabbroic pottery found on site at Tremough, one fine ware and one coarse ware. I had long been digging and using this unique clay in my ceramics practice and was familiar with the myriad finds on display in Truro’s museum. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">These 4000-year-old gabbroic clay shards were thin sectioned, mounted in resin and scanned at the highest magnification. At the heart of this particular investigation sat a machine owned by Exeter and Cambourne school of Mines - Qemscan, a sophisticated machine providing automated mineralogy and petrography. </span><br />
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<span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif;">This scan gave me detailed data on the clay formation; the clay is interesting in its make up, the blend of minerals makes it a good refractory material, more suitable to withstand thermal shock, perhaps explaining the number of large scale finds.</span><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">This scan gave me data on the clay formulation as well as vibrant imagery. After establishing the colourways I transferred the information in SMARTPRINT software and digitally printed onto fabric. </span><br />
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<span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif;">I then created a large paper pattern for the oven gloves, an exact 4x replica, cut them out, tacked them and machine stitched them finally finishing off the edges with bias. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I marvel at the perfect circularity of this ongoing investigation. I find it exciting that I am only now able to look at a shard in such microscopic detail as has ever been technologically possible. I can only wonder at the coincidence of the placement of a machine that allows us to do this. Who would imagine when there are only 60 such machines in the world, that one of them would be situated directly on the ground where the 4000-year-old shard was dug? </span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-60810872968530517222017-03-28T00:31:00.000-07:002017-03-28T15:06:35.697-07:00Communicating Archaeology through digital craft practice Scanning, reproduction & reinterpretation<!--[if gte mso 9]><xml>
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Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="59" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
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<span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; text-align: start;"><span lang="EN-US" style="line-height: 24px; text-align: justify; text-indent: -0.25in;">I manipulate and reinterpret archaeological material through both digital and traditional craft practices, exploring how this hybridized approach potentially offers a new lens through which to view the past. I explore the post depositional life of the artefact and how through site-specific knowledge, reflective practice, conceptualisation and digital intervention, I engage a new dimension to the object biography. I am showing one work in progress to illustrate how the archaeology is moved through a transformative process with an influence exerted from the digital. These clay and stone moulds were excavated by the Cornwall Archaeological Unit from Tremough during 2011. The three piece fractured stone mould was discovered inside a dwelling posthole under the car park of the air building. The three parts of this mould were scanned, transferred and rebuilt into mesh before creating the virtual pin that would once have been cast from Bronze. A rapid prototype was printed, from this pin I was able to make a silicone mould. </span></span><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; text-align: start;">The silicone mould produced several injection moulded waxes, these were sprued ready for Bronze casting. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd1hglEd1Cgc5LIWaZPy0V46BVz1Bg0YiDUu_3QGprBPZfoRsLGT9M-93Bj4EBeGenFYsgg7pwJ6KiiiorQV08keJbKak7nL63wxZz49PKN8eth6xCcvFxpqZAT3fmvHHXEUCZyJjDpM9B/s1600/Picture1.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd1hglEd1Cgc5LIWaZPy0V46BVz1Bg0YiDUu_3QGprBPZfoRsLGT9M-93Bj4EBeGenFYsgg7pwJ6KiiiorQV08keJbKak7nL63wxZz49PKN8eth6xCcvFxpqZAT3fmvHHXEUCZyJjDpM9B/s400/Picture1.png" width="400" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><i style="text-align: start;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="line-height: 24px; text-align: justify; text-indent: -0.25in;">Scanned with Hexagon metrology Roma absolute arm, integrated RS3 laser scanner<br />4000 year old stone pin mould 3 parts. </span></span>Rhino used in transfer of the scan data through decimation rebuilt into mesh/ creation of pin - RP Pin </span></i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi-PL2i9zb0hIG_m3ZORJtT136yYBxAF-g9uXtbEpU-SxKoL1UmOo4dLwC6mWVVpLstLEZjtSukYbUUlEN7nRWD4jwZQrmlPmcPdkBpwK27YJuvMwD-NZa-cnE8wNnznGjPN4qPZTaZg5o/s1600/Picture2.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi-PL2i9zb0hIG_m3ZORJtT136yYBxAF-g9uXtbEpU-SxKoL1UmOo4dLwC6mWVVpLstLEZjtSukYbUUlEN7nRWD4jwZQrmlPmcPdkBpwK27YJuvMwD-NZa-cnE8wNnznGjPN4qPZTaZg5o/s400/Picture2.png" width="400" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.800000190734863px;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="text-align: start;"><i>Silicone mould vacuum formed from pin </i></span><i style="text-align: start;">Waxes produced from mould ready for Bronze casting </i><i style="text-align: start;">Bronze cast replica pin</i></span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">The software version of the pin was enlarged and milled out as a 1.5 metre blue foam version. Materialize/Magics was used for all the smoothing on the virtual surface and picasoft/mayka for the milling, which took place in this Bridgeport milling machine, also on site at Tremough. </span><span style="text-align: justify; text-indent: -24px;">The pin was milled out in two sections from dense blue foam, each piece turned over and milled from either side. </span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXitisRge5K1zGt4s7RgzSfntcPAWroT6SD8g0g8Z1gaaZDJE1KvoqK-wYxHu1DcOvwzjmBbgxRSwMYIyUwYNrpMlsHwgrxLPgJXvPG306s1KVs9VNJPtr3cJ402r-mvG3yktiAMHhnH-/s1600/Picture3.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXitisRge5K1zGt4s7RgzSfntcPAWroT6SD8g0g8Z1gaaZDJE1KvoqK-wYxHu1DcOvwzjmBbgxRSwMYIyUwYNrpMlsHwgrxLPgJXvPG306s1KVs9VNJPtr3cJ402r-mvG3yktiAMHhnH-/s400/Picture3.png" width="400" /></i></span></a></td></tr>
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<span style="color: #2e2224;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Bridgeport Milling Machine</i></span></span></div>
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<span style="color: #2e2224;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Blue Foam 1.5m Dress Pin</i></span></span></div>
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<i style="color: #2e2224;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Producing Gabbroic clay pin from plaster mould</span></i></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span style="color: #2e2224;">T</span>he two pieces will be joined before being cast in plaster of paris. With the two-piece press mould I can make several large-scale pins using my own gabbroic clay mixture. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">I propose to break one of the fired pins into many pieces and bury them across the Tremough site. Each of the pieces will be marked and given a GPS coordinate that can be tracked. The work is the GPS points and a map of Tremough along with a copy of the pin.</span></div>
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<span style="color: #0e3851; font-family: "arial" , "helvetica" , sans-serif;">The process of reclaiming the fragments could potentially be carried out through the digital mapping of the sherds. The pin could even be reconstructed if the pieces were ever recovered. </span></div>
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Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-36904045744197548222017-03-27T10:42:00.000-07:002017-03-28T15:05:53.698-07:00Gabbroic Clay, Tests, Making Process & Giant Dress Pin<div class="separator" style="clear: both; text-align: left;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">It was Archaeologist Professor David Peacock, whose research during the 60’s, first confirmed that that iron rich Gabbroic clay found only on this site was used in the production of pottery in Cornwall from the Neolithic period and continued for approximately 5000 years. This clay was formed from accumulations of wind blown clay dust from a time when the current seabed was dry land due to glaciation and covers an area of approximately 1.5 square miles, laying mostly between eight to eighteen inches below the surface. The main compositions of these clays are Feldspars, olivines (magnesium iron silicate) and mineral augites. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">My interest in this clay began with my first ever visit to the Royal Cornwall Museum more than 20 years ago, where I was able to handle some of the pots and Funery urns. In my early years as a ceramics tutor at Falmouth University, we ran a reconstruction project. We took students to dig the unique clay from Goonhilly Downs, we processed it, made replicas and finally we would visit a Bronze Age settlement reconstruction, where the work was fired in pit or bonfire. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimqw840M72TVJ2t7q4MxnCf15IrPtW2HJMusztpDeVYqZHPBedZtiAvml_4dfP9eGg5nCaBNoMjzjkl3JnICQ1p3kkcf3JLBgi00Hw6MTxOmuS9tCBXOhT8Cq-Jb93aO97ezgXP-aShDiW/s1600/Picture1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimqw840M72TVJ2t7q4MxnCf15IrPtW2HJMusztpDeVYqZHPBedZtiAvml_4dfP9eGg5nCaBNoMjzjkl3JnICQ1p3kkcf3JLBgi00Hw6MTxOmuS9tCBXOhT8Cq-Jb93aO97ezgXP-aShDiW/s400/Picture1.jpg" width="400" /></span></a><span style="font-family: "arial" , "helvetica" , sans-serif;">This wonderfully versatile material can be worked immediately and easily modeled. Dried out, and in its raw state, this clay survives firings to 1280°. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">By removing as many large pieces of rock from the mix as I can, the process of reclamation begins. Placing the dry pieces into warm water they fizz and dissolve quickly, reducing down to a thick slip. The clay is then poured onto small plaster bats in order for the water to be absorbed, and then it is wedged and ready for use. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQGHNJbhiY7_5O-dvf5qEqA15FHhKKEJ-mJIvCvbqCLVVh_2MBpBTYy6nuU7Yk64jZMUvVc6UPUaN8EQi0PaqOQYl1CQktheyFpuas_E9gL36rAX66ClvqSDfo0Aqd_mie-IDy64k_PzP/s1600/Gabbro+tests.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQGHNJbhiY7_5O-dvf5qEqA15FHhKKEJ-mJIvCvbqCLVVh_2MBpBTYy6nuU7Yk64jZMUvVc6UPUaN8EQi0PaqOQYl1CQktheyFpuas_E9gL36rAX66ClvqSDfo0Aqd_mie-IDy64k_PzP/s320/Gabbro+tests.jpg" width="237" /></span></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I produced clay tests using combinations of Gabbroic clay with a variety of inclusions. The results of these tests ascertained workability, plasticity and temperature range as well as establishing colour and texture. Tests show a variety of colour changes, due in part to the inclusion of ball clay by increased percentage, which acts as a binding agent and contributes to workability and strength in the ceramic body. There is a greater distinction between colour and shrinkage above 1200°. The results are surprising and spectacular. The clay body, even at 1280 degrees and being 100 percent Gabbro does not move or melt, it simply vitrifies. Tests also showed a significant colour variation in the clay body over this temperature range. The image shows a straightforward line blend of gabbroic clay in mix from 100% gabbroic clay on the left to 40/60 ball clay combination on the right. The temperature ranges from 600° to 1280° with the bottom line showing the tests at 1280 and the top row 600. On the left hand side the tests are pure gabbroic clay. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I have made several reconstruction pots as part of this project, all of which were extremely problematic to produce and fire. I began by visiting the Royal Cornwall Museum to sketch, measure, photograph and examine closely the gabbroic material and the pot fragment forms. I was particularly impressed by the lightness and thin nature of the sections. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Achieving a good finish took a great deal of skill and far more trial and error than I had expected. Bronze Age potters clearly took time to master their clay mixture and perfect their firing techniques in order to achieve a high success rate. Within the first few weeks, my failure rate was so great that it took 5 attempts (and some tears) to get a pair of replicas that were not cracking in the making, firing or cooling process. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I can't express the importance of this tacit knowledge build up in the later production of sculptural gabbroic works. I think it was Edison who said, </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">“I have not failed. I've just found 10,000 ways that won't work.” </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Making the large gabbroic pin presented some unique problems. The 100% gabbroic mixture was extremely difficult to shape and handle, particularly for the long shaft of the pin measuring almost a metre in length and tapering to almost 4mm. Shrinkage and drying was also tricky, made more difficult by the presence of the occasional medium sized inclusions remaining in the mix. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The first attempt split in 3 places whilst drying and then firing so I decided to use it as a test sacrifice. We used the large glass kiln to bisque fire as none of the other kilns could take the full size of the pin in one piece, this meant I would not be bale to fire up to a higher temperature as this particular kiln was designed for the lower temperature firings used in glass slumping and fusing. I immediately decided to re - reclaim the clay mixture and add additional grog (ground and fired ceramic material) as well as a small % of paper pulp to lighten the whole fabric and allow for any splits to be repaired even after bisque. This seemed to make the build far easier, I also split the build into two parts for ease of transportation and the ability to fire up to top temperature in another kiln. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I did initially have some concerns about the warping of the form at high temperature but the addition of large amounts of silica sand under the structure seems to have helped avoid this disaster, in addition the silica sand aided the shrinkage in drying so I had no cracks. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The professional picture shows one of the final pins fired to 1160° and re attached at the neck.</span></div>
Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0tag:blogger.com,1999:blog-4123884649914134853.post-8203046521339975352017-03-08T12:58:00.001-08:002017-04-12T03:46:29.175-07:00Communicating Archaeology: The Tremough Site - Cornwall<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #0e3851; font-family: "arial" , "helvetica" , sans-serif;">Coordinates: 50°10′07″N 5°07′02″W / 50.1687°N 5.1171°W / 50.1687; ...</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">This story is about the way in which I seek to communicate archaeology to the public through the exhibition of digital craft works. As part of a practice led interdisciplinary PhD, I manipulate and reinterpret archaeological material through both digital and traditional craft practices, exploring how this hybridized approach potentially offers a new lens through which to view the past. I am working towards exhibition of the finds and my works in October 2017. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">For some time I have been producing reinterpretive works in response to archaeological finds. I presented works as part of the CinBA project in 2013, also in the touring Crafts Council Exhibition, ’Re-Making the Past’ in 2015. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I produce playful, resonant works using a variety of materials. They frequently allude to function, borrowing and abstracting meaning and significance from both domestic and ritual objects highlighting shared activities and concerns, connecting past and present. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Tremough in Cornwall is currently my case study; it has been a long-standing site of ‘making’ evidenced through three archaeological investigations, proving that this is one of the earliest sites of metal casting in the UK. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">My reinterpretive works are based upon the prehistoric Tremough finds, which are stone moulds, bronze jewellery and ceramic sherds & vessels. The site has an existing and somewhat lengthy narrative; The recent report by Andy Jones of Cornwall Archaeological Unit, talks about Tremough as a ‘triangular plateau above the town of Penryn in mid Cornwall, not particularly large or elevated but overlooking the Fal estuary and the Carrick Roads, historically one of the busiest waterways in Cornwall.’ </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Since early 2001 the combined universities of Cornwall campus at Tremough redeveloped the site in a series of stages. As the campus expanded investigations revealed archaeological remains across the plateau to be amongst the richest in the country. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">There is an extremely long record of fairly continued occupation from Mesolithic flints (8500 – 4000BC) to a later Iron Age enclosure, a Romano British settlement and a Queen Anne period house. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Working together with Cornwall archaeological unit, Cornwall museum services, and the myriad varied technicians within Falmouth & Exeter Universities, has meant that I have been able to access and scan objects, reproduce finds and manipulate the results to produce unique artefacts. In the development of my conceptual framework, and in order to promote a less autobiographical approach, I interviewed archaeologists who had been involved with the various digs performed at Tremough. With only one publication available, and this being purely factual and archaeological in format, I needed to establish a greater understanding of the site. I used this as an opportunity to collect the thoughts and feelings of those involved, not necessarily contained within the pages of the publication.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Many of the responses given in interview have shaped the work for exhibition. Conversations about the site during the Bronze Age, who might have been there, what might have been happening, what the site might have looked like, have all contributed to the narrative of the works. There is clearly an emphasis upon the domestic as well as the production of metal objects functioning in everyday use. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The largest of the pits excavated shows evidence of communal events, possibly associated with the cooking of foodstuffs, and this is also implied by the presence of fragments from large ceramic vessels, which may have been used to store or share food. In addition to the myriad of broken ceramic vessels present in deposition, it is clear that there was, at one stage, small scale production of Bronze objects on site. Fractured stone moulds were discovered, two different designs, as well as a clay sword tip mould and moulds for axe heads. There was clearly a production of tools as well as weapons. There is also evidence for the construction of an enclosure with architecture of a type not previously found in the South West and it represents the first large-scale monument to be constructed on the plateau. </span></div>
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<i><span style="font-family: "arial" , "helvetica" , sans-serif;">"Although the site was not fully exposed, it has been argued that the form of the enclosure is likely to have resulted from contacts with other regions, where similar sites dating to the Late Bronze Age are found. These include eastern Britain and Ireland, and it is possible that it was constructed by a group of people who wanted to demonstrate their knowledge and links with the distant architectural traditions and wider cosmologies. As such is was probably an important focal point for the surrounding community."</span></i></div>
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<i><span style="font-family: "arial" , "helvetica" , sans-serif;">Jones, A, Gossip, J & Quinnell, H</span></i></div>
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<i><span style="font-family: "arial" , "helvetica" , sans-serif;">Settlement & Metalworking in the middle Bronze Age & beyond, New Evidence from Tremough, Cornwall</span></i></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">In spite of the fact that I am the conceptual director of my work, much of my digital practice is becoming co authored, and in so doing the work is truly collaborative. It simply isn’t possible to intensively accumulate a broad range of digital skills. The hidden engagement of skilled technicians historically resides in the realm of the fine artist; increasingly in a post disciplinary milieu, we make connections with those around us who can facilitate our ideas. I fully and publicly acknowledge the varied expertise embedded within in my completed works. I have decided to highlight this during the exhibition in October at Royal Cornwall Museum. I am proposing to display photographs and short bibliographies of all those involved in the making of the works, and then initialise each work on display so it can easily be worked out who was involved in the process. </span></div>
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Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
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<!--EndFragment-->Helen Martonhttp://www.blogger.com/profile/09969049504407133072noreply@blogger.com0